Showing posts with label Ruchir Gupta. Show all posts
Showing posts with label Ruchir Gupta. Show all posts

Monday, June 23, 2014

Interview : Ruchir Gupta

Ruchir Gupta is a graduate in Medicine and is a practicing doctor in USA. He has authored various books that deal with the topic of anesthesiology. His interests include reading, traveling, learning history and blogging. His book 'Mistress of the Throne' is the story of Mughal queen Jahanara (reviewed here). It is pleasure to present his views here for the readers of Literary Sojourn. 

  1. Dr. Ruchir Gupta or writer Ruchir Gupta, which role gives you more pleasure and satisfaction?

Both roles provide a different method of satisfaction.  Medicine is a very gratifying field but one that doesn't allow much creativity. As a writer, I have the chance to create new worlds and give life to different characters.  It is this act of creativity that I feel keeps me young.

  1. What motivated you to write 'Mistress of the Throne'? What is so mystical about the Mughal period in your opinion?

The Mughal period has often been thought of as India's golden age.  Unfortunately, current communal conflicts have caused many of us to view Mughal culture as foreign, even though it was a blend of muslim and hindu traditions.  At the height of the mughal empire, 1/4 of humanity lived in its dominion and its economy was 50 times greater than that of Great Britain.  Thus, the mughal empire has always fascinated me for its ability to unite people and build an entire civilization.

  1. Why do you think, historical fiction genre is attracting more and more readers these days?

I think people are now reflecting more on their past.  As Indians, we were often given a distorted view of our history for the purposes of furthering British propaganda.  I think people are now realizing how advanced and admirable our history was and in that past lie some of the answers for the present time.

  1. Which authors do you admire and like to read the most, who have written historical fiction, focusing more on Mughal period? How would you compare the works of Dalrymple, Eraly, Alex Rutherford, Indu Sundaresan?

With the exception of Eraly, I have read all of the aforementioned authors.  Dalyrymple writes nonfiction so my book is of an entirely different genre.  I rely on his work for much of the facts for my mughal projects.  I have emailed him a few times and I am a great admirer of his.  Both Rutherford and Sundarasen deserve a geat deal of credit for launching bestsellers in this genre and thus bringing the Mughal story to the masses.  I, personally, like Sundarasen's style a little more than Rutherford's, but this is just my opinion.  Sundarasen spends a great deal of time describing the imagery of the scene so that one feels as though they are in the Mughal palace itself.  She also writes often from the female perspective.  Rutherford, by contrast, spends more time on describing action and battle scenes.  His books have been from the male perspective.  My book differs from theirs in that I think I delve more into character development and creating an emotional dimension for my characters.  Again, all of these books are great, but the writing style is different.

  1. Do you have a dream story that you would like to work on? 

My focus right now is on my series, The Mughal Intrigues, of which Mistress of the Throne is the first book.  I am working on a sequel and have not yet decided if this series would be a trilogy or have 4 different books.

  1. Why do you think Mughal period is becoming the focus of more writings compared to other periods in Indian history?

Mughals are royalty and are the premier royal family for India.  The 1857 rebellion had the aging Mughal Emperor as the standard bearer for the cause; the flag is raised every August 15 from the Red Fort of Delhi.  Thus, the Mughals have been intricately tied to India and its opulence.  Additionally, the Mughals are inherently Indian.  Most Mughal Kings married Hindu princesses.  At a time when a marriage between a hindu and a muslim is considered taboo, it is sobering to realize that centuries ago, this was common amongst the royalty.  In fact, Shah Jahan was 3/4 Hindu, though he followed Islam.  Even Aurengzeb, who is known for his fanaticism and his destruction of Hindu temples, married a Hindu princess.  Thus, it's this plurality that has attracted the attention of the masses.

  1. In your opinion, which is the safest and surest way to the hearts of the readers?
Character development.  Readers wish to connect with the characters and be able to share in their trials and tribulations.   Thus, good character development is a great way to engage the reader.


Thursday, June 12, 2014

Book Review : Mistress Of The Throne

Title : Mistress of the Throne
Author : Ruchir Gupta
Publisher : Srishti Publishers and Distributors
ISBN : 9789382665076


Mughal period is one of the periods that keeps beckoning authors of almost every generation to come back to it to unravel the mystique behind the opulence that this era was known for. Though the royal emperors - Akbar, Jahangir, Shah Jahan, Aurangzeb have long been resting in the annals of history, yet their styles, their sensibilities for art and culture, their harems, food, generosity, ruthless machinations and brutal lust for power - entreat many to dig deeper. Many books written by contemporary authors like William Dalrymple and Indu Sundaresan have already been reviewed here on Literary Sojourn.

'Mistress of the Throne' picks a small timeline starting from the year 1631. This was the year when the beloved queen Mumtaz Mahal, of emperor Shah Jahan breathed her last during one of the childbirths. Going against the tradition of passing the title of Queen to one of his other wives, Shah Jahan chose to anoint her eldest daughter Jahanara with this royal honour. The new seventeen year old queen found herself shouldering responsibilities on personal, familial and public fronts. She dedicated herself to keeping the family united but her efforts fell short in front of towering egos, jealousies and scuffles for supremacy and power. The power tussle between the extremist Aurangzeb and the mild tempered Dara was apparent right from the very beginning of their getting together. Though Dara Shikoh was the favoured son of emperor Shah Jahan and was the heir apparent, he lost his life in a bitter battle with Aurangzeb for the imperial throne.

Mistress of the Throne is the first person account of Jahanara through which readers are given a peak into the functioning of Mughal empire and the political games that were played on either sides of the veils. Author Ruchir Gupta sensitively brings out the inner turmoil that the young queen went  through when she understood the implications of the harsh reality of living life alone. Though she very closely witnessed the love between her parents which Shah Jahan tried to immortalize in the form of Taj Mahal, she knew she would never be able to experience that emotion all her life. Her only fault was that she was a Mughal emperor's daughter.

Ruchir Gupta has done a commendable job in bringing back the bygone era intricately in the book. The scene setting is done in such a way that one becomes a part of the fast paced and engaging narrative. Language is simple to follow and flows lucidly. The characters are built slowly but with utmost care, especially that of Aurangzeb. The ruthlessness and fundamentalist attitude of Aurangzeb is very well documented in course books and other texts but this is the first time that one gets see and understand his personal side as well. Spending his childhood in a hostile exile, away from the love and warmth of his benevolent mother scarred his soul. Unfortunately he did not get much time with Mumtaz Mahal to savour the essence of unconditional affection and love. His insecurities, vulnerabilities and yearning to be the good son and good brother touch the chords at various places as the story progresses.


As far as the character building of Jahanara is concerned, Indu Sundaresan's adaptation wins over Ruchir Gupta's. Had I not read any of the books written by Indu, I would have enjoyed reading 'Mistress of the Throne' without any comparison in mind. But the images of Mughal queens that Sundaresan creates in her Taj trilogy remain firmly etched in the readers' minds and any other replacement will run the risk of appearing wane in comparison. They are just a tad short of flesh and blood otherwise she has done all to breathe life in the characters. Well, there is a difference in portraying a woman and being one.

The book was sent to me by


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