Guest Book Review III : Who Wants Green Fingers Anyway?

Title : Who Wants Green Fingers Anyway?

Author :  Geeta Dharmarajan

Illustrator: Archana Sreenivasan

Publisher : Katha

ISBN : 978-93-82454-06-9

Reviewer: Mouli Banerjee

Who Wants Green Fingers Anyway? is the new gem from Geeta Dharmarajan, prolific writer of children’s books and 2012 Padma Shri awardee for her service in Literature and Education. This joyful narrative revolves around a family’s growing awareness of the care they have to provide to the plants of their garden.

The story is very funny and entertaining. The narrative voice is that of the young elder daughter, who chronicles this family drama. She is chirpy and smart while observing the incidents unfold. Keeping her distance from the strife, she is amused at the course of events taking place before her. Amma takes immense pride in her potted plants, but they seem to be wilting. Appa tactlessly points this out to her, provoking her short-temper. Some pots break, a witty battle of words ensues, and a challenge is thrown. Will Appa be able to look after the plants better than Amma? The reader wonders, with the daughter. The plot is tightly woven and retains suspense until the final climax.

The illustrations by Archana Sreenivasan, a Bengaluru-based visual communication designer, add vigor to the story. Srinivasan, through the

caricature of the characters, enhances the humour in the story. The narrative, a good-humoured take on family life, is a typical example of

these incidental disagreements that end up as amused memories in our minds. All readers will relate to that.

The story urges its audience to realise that it takes time and effort to become good at something. Not all information can be based simply on theory. Practical experience is also crucial, as Appa learns when he tries to don the gardener’s hat, taken over from Amma. He reads books that claim to provide all the knowledge one needs to keep plants in good shape, but the mistakes he will soon commit prove otherwise.

The writing style and expressions of the book prolong this critique of pure theory. Puns on words also add to the story’s wit, for when, exasperated, Appa declares that the books said gardening should be “as easy as making mud pies.” The irony does not escape the readers: a mud pie is exactly what he has made, albeit literally a mud pie. The readers are also invited to understand the importance of accepting defeat gracefully. Appa, in the story, cleverly manages to hide the mess from Amma, which the reader may find ridiculous, yet cute. The title, too, is a clever quibble on the ability to grow plants well, and the literal meaning of one’s fingers turning green.

Who Wants Green Fingers Anyway? is a great read. It is an entertaining family story, combined with a subtle but important message on relationships.

Guest Book Review 1 : The Friday Fair

Since the inception of Literary Sojourn, it has remained my journey in the literary world and I do not foresee that to be getting changed anytime soon. However, honouring one request by Katha, Literary Sojourn is proudly hosting three guest book reviews of these wonderful Katha books.

Title : The Friday Fair

Author : Rabindranath Tagore

Illustrator : Debasmita Dasgupta

Translators : Himanjali Shankar, Geeta Dharmarajan

ISBN : 978-98-82454-10-6

Reviewer : Mouli Banerjee

Katha’s new ‘Tantalising Tagore’ series is a delightful collection of five of famous children’s poems by the Bengali writer, bringing to light a spritely world of colours and life. The collection consists of five translations: The Friday Fair, The Champa Flower, The Astronomer, The Little Big Man and Clouds and Waves. Himanjali Shankar and Geeta Dharmarajan’s translation of Tagore’s poem ‘Haat’, The Friday Fair is a delightful adaptation of the original story, which famously portrays each and every minute activity at the weekly village market.

Tagore’s poem presents a word picture of a busy weekly market on the banks of Padma, in the village of Bakshiganj. It is a kaleidoscopic vision of all the frenetic events that take place in the village on that day. H. Shankar and G. Dharmarajan’s translation is refined, as it retains the flavour of the original, while at the same time making the whole experience available through the imaginary world of children in metropolitan cities, who may not be familiar with the village atmosphere.

The illustrations by Debasmita Dasgupta amplify the colour and vibrancy of the story. They are based on traditional motifs and strokes but represent a modern version of the weekly village market. This is visible in the attire of the people depicted, which are very different from what Tagore’s villages would have looked like. The illustration seamlessly merges into the narrative to provide the children with a unique artistic experience.

The original poem by Tagore, a part of his collection for children, Sahaj Path or Simple Lessons, is a tightly rhymed piece. In this translation, the original Bengali rhyme scheme gives way to a sense of rhythm and musicality. The structure of the book, with each line depicting a different scene placed on a separate page with a related illustration, offers an impression of slideshow, shifting through scenes and people and thus creating a collage of human lives from various backgrounds. There are children playing, girls from the village coming to trade hay, men and women selling vegetables, sweets, jaggery, handicrafts, blankets and even cheap umbrellas from the city! It successfully evokes a feeling of activity and community interaction at the marketplace. The Friday Fair is thoughtfully structured so to include, along with a brief but instructive annexe on Tagore, the original Bangla poem in its script and in a Roman transcription. This highlights Katha’s concern for projects of translation, which culminates here in a subtle way to initiate children to this other art.

Young readers can see the rhyme scheme of the original and contrast it with the translated version. Thus, The Friday Fair is a colourful, exciting book that takes its readers on a journey through colourful cultures and life stories.