Interview with Shweta Mohapatra

Shweta Mohapatra - a graduate from NID (National Institute of Design), Ahmedabad, and a post-diploma holder from PASCA (Pont-Aven School of Contemporary Arts), France.

In her own words, 'she is the happiest person when given a handmade paper, pencils and paint' and watch her creativity unfold!!!

For an artist the inspiration can come from any quarter - an ordinary room, a typical wired city or beautiful lush gardens - so evident in Shweta's art work.

I am glad she happily agreed to do a question-answer session with me.

1. How did you get into children's book illustrations?

Hmm..Let’s see. In 2005 after I graduated, I was working as a freelance television promo producer, in Mumbai. A friend of mine, Hema Nazerath, had illustrated for ILFS, School Net. She suggested that I should show them my sketches, so I did and they gave me to do my first book. ‘Marrima’s Rag Doll’ this was a UNICEF book, after that I went on to do 4 more books for them, and that’s how I started illustrating for children’s book.

2. What inspires you most to unleash your creativity?

That’s a tough one, but I think there is so much around us and to soak in and take it in. Visually it could be anything like something out of popular culture iconography, various Indian art forms, something I see on the Internet, magazine etc.

3. How do you select the projects - you must be having some favourite topics
which you want to do but some different kind are offered to you by publishers. How do you strike a balance between the two?

I am glad you asked this question; the problem here in India is that there is no cohesiveness in children book publication (except a very few houses). The editor gets a story makes a call to the art dept. the art dept looks for various style and then gives this out to the illustrator, a dtp guy puts text images together and your book is ready. I feel as in illustrator there is not much say. Also editors tend to judge too quickly looking for various illustrators only as ‘various style’ rather than as storytellers. Very few publishing houses will do ‘only picture’ books. I doodle, sketch and write sometime. I do not know if I strike a balance, I would like to do that but I don’t think I do.

4. Which books, illustrations and illustrator do you find impressive?

Oh wow, many many but not necessarily illustrators only, artists, graphic designers, animators, patachitra/miniature artists, photographers, filmmakers. Growing up in the 80’s I grew up with my fair share of Victor Dragunsky, Rojan, Marvel comics- (phantom, Manderek , Flash Gordon) Tinin and Amar Chitra Katha, so these are all time favorites . Some Children’s illustrated books I love- Persipolis by Marjane Satrapi (though technically it’s a Graphic Novel), All books of David Weisner, Today is my day by Piet Grobler. Swimmy by Leo Leoni, Harold and the Purple Crayon by Crockett Johnson, Cat in the Hat, And To Think I Saw It On Mulberry Street by Dr. Seuss. Madeline by Ludwig Bemelmans and many more.

5. Did you have any formal training in this field? Do you think its necessary to have some basic training?

I went to National Institute of Design (NID, Ahmedabad), and graduated in animation filmmaking, more recently I went on to do my post-baccalaureate in contemporary art. I never really trained as an Illustrator, but had a very strong background in visual communication and drawing. I do not think one needs to have institutionalized training in illustration, but one needs to have the enthusiasm for drawing, story telling and have a good imagination.

6. What advice would you like to offer to aspiring illustrator?

If one is illustrating for children one needs to be playful in putting the illustration together, if they have stories/ideas that they want to say, just start drawing. They have to get their work out there for everyone to see, start a blog, website. It might not be easy to get a first project, but organize your work well.

7. What are your next projects coming up?

I am off to Raghurajpur, a small artist’s village near the coastal town of Puri in Orissa, I shall be working with some artisans there and hopefully will be able to take it forward from there. Right now it’s open ended; it could end up as a book, animation film or products.

Shweta, a big thanks for sharing your views with us...

Links

• Shweta Mohapatra

Interview with Christopher Corr

Christopher Corr is an international name in children’s book illustrations.

A brief biography of Christopher Corr -

Christopher was born in London and studied at The Royal College of Art. His round the world travels provide much inspiration for his work. His first trip to India in 1986 resulted in a one person show entitled "Wel-come To India" which was followed by a book and a short BBC TV film of the same name.

Commissions range from book jackets, posters, the World Aids Day 1996 campaign, artist for Qantas, artist for Windstar Cruises.The Royal Mail sent him to Bosnia to paint SFOR ,the Peace-Keeping troops for a commemorative stamp in the Millennium Stamps Project.He has recently been working on some children's books.

He is working with 'Katha' on some of the forthcoming children's titles and was also in Delhi to judge the Katha Chitrakala contest - a Katha initiative to applaud upcoming writers and illustrators.

It was a pleasure to conduct a brief interview with Christopher and here are his views on his inspirations, challenges, projects and much more...

1. Do you consider yourself to be a born illustrator?

I always liked drawing and painting but I didn't think about it as a career until much later.

2. Did you always want to be an illustrator?

I wanted to be a vet! I like animals very much and thought I'd like to work with them.Thinking about it now, I'm not at all suited to medical work. I had a great art teacher at school, Julek Heller, who also worked as an illustrator. He encouraged me to apply to art school and directed me towards illustration.

3. What is the best part of your work?

It's great to work in a creative way; I enjoy the freedom of making pictures. It's a wonderful way to spend your time.

4. What do you do for inspiration and unleashing your creativity?

Travelling inspires me and helps develop my work. I like to look at art, architecture, books from other countries, other cultures, other people and how they live their lives.

5. What are you working on now? Which kind of projects do you want to do and what are you next projects in 2010?

I'm working on 3 books for Katha, one is about the GT Express from Madras to Delhi. I have just made the journey and am putting my ideas together for them.
I'm finishing an animal dictionary for a publisher in Korea, a book about 2 tigers for a publisher here in London and I'm also working on a book about Mexico.

6. Did you have any formal training in this field? Do you think it’s necessary to have some basic training?

I studied art for 7 years, 4 years in Manchester studying Graphics, and 3 years Masters in Illustration at the Royal College of Art in London.

7. Which medium do you use for your pictures?

I work mostly with gouaches on paper. I like strong bright colours. I buy a lot of art materials, different kinds of papers and paints. I've found some great acrylic gouaches from Japan, beautiful colours and beautiful paper from India.

8. What do you love most about being a children's book illustrator? What is most challenging about it?

I like creating a beautiful world in a book. It feels good when it works. I like researching and developing a project. Deadlines can be difficult ... they sometimes arrive too soon.

9. We see a lot of Indian flavour in your illustrations, what are the things that most fascinate you about India to make them a part of your pictures?

I've been to India many times to paint and travel and explore the country. It’s a very inspiring place for me. I think it's where I discovered strong pure colour. I love the animals that you see everywhere, the variety of life you encounter, all kinds of people, architecture, landscapes...

10. What advice would you offer to aspiring illustrators?

Spend time exploring image making, draw & paint with passion and an open mind. Look around at art, books, fashion, architecture, be open to inspiration anywhere!

Thanks Christopher for sharing your views with us…

Links

• Christopher Corr
• More of Christopher's works
• Katha
• Katha Chitrakala Contest

Interview with Shilo Shiv Suleman

Illustrations are an indespensable part in the world of books for young readers. They have the magic of invoking wide range of emotions in children (and adults too). And if the illustrations are like those done by Shilo, they become a beautifully laid out feast for the eyes and source of inspiration for many people. It is marvellous to see that a girl who is just out of her teens is so imaginative and mature in her expression through her strokes of brush.

Shilo Shiv Suleman has done some breathtaking illustrations for the book Pampasutra. I did a question-answer session with her.

1. What is the best part about what you do?

The best part about what is possibly in the process of illustrating a book - In visualizing each word and watching it become a tapestry of images woven together and trying to experience the text and imagine the text a way a child would - with wide-eyed wonder and love. As Antoine de Saint Exupéry says in the ‘Little Prince’.

Here is my secret. It is very simple. ‘It is only with the heart that one can see rightly; what is essential is invisible to the eye. Only children know what they are looking for'. I can't even begin to express how grateful I am to be doing something I love with all my heart everyday. Just dreaming in full colour.
2. How long have you been working as an artist/illustrator?

The first book started when I was 16. A book of Children's poems in Hindi that I illustrated, post that there have been 3 other children's books- two for Karadi Tales (one of which is a super spooky Tim-Burtonesque book called Tak Tak) and the latest (and possibly the closest to my heart) was released last month- Pampasutra by Arshia Sattar, about the river goddess of Hampi. It flows through the Tunghabadhra River’s mythology, history, and finally environmental perspective on what's happening to the river right now. The Dam, the motorboats, the plastic, the dumping - all of it.

3. Please elaborate some of your educational qualifications, your experiences and skills related to this field.

I am 21 years old and still studying in Srishti School of Art Design and Technology in Bangalore. Doing my 3rd year in Design and Animation whilst freelancing, painting walls, instruments, posters and Tshirts for NGOs working on different campaigns, wandering around the country, Illustrating for Ads, Magazines as well as (and most importantly) Children's Books.
Right now I'm working on Illustrating, Writing and Animating with Srishti an Interactive Graphic novel for children called 'Khoya'. Using technology called Augmented Reality to enhance storytelling as well as bridge the gap between the technological and the tangible. :)

4. Which medium do you use for the illustrations, which software do you use? Which is your favourite medium and style?

I mainly use watercolours and collages -all sorts of textures and photographs that I find while travelling around the country. I feel watercolour+collage works the best for me because I love layering my paintings both physically and in terms of meaning and content. As for style- I work with what comes most naturally to me and is an almost instinctual and personal form of expression.

5. When did you think that you want to make a career in fine arts and especially being an illustrator?

I'm always learning...career aside..through university, through travel and all the experiences and opportunities that come my way. And all of this comes out through me brush. :)
My mother, Nilofer Suleman (Suleman Chai), is an artist as well and so that's been a big source of inspiration.

That aside, I also studied in Valley School- a hundred and something acres of wild sprawling land. And all I did was wonder-wander-wide-eyed at all the trees and paint.

Another source of inspiration was possibly all the travelling around India.

Beyond colour and form there was so much love in every journey. And after dabbling in a bit of photography- Illustration became the closest way to fulfil the gratitude I felt for those experiences and landscapes encountered. I started to draw incessantly in notebooks that I carry with me. Collecting stories, places, and faces and pressing flowers between the pages.

6. Which kind of projects do you want to do? Which is your next project?

I'm open to anything really but what really catch my eye are things that are imaginative and brimming with imagery as well as things with a social or environmental context.
Right now I'm working on a project called 'Khoya' which is an experimental new-way of storytelling using technology. It’s about a little girl born into a dystopic land who slowly rediscovers the natural world and all its magic.
So yes, other projects that interest me relate to Mythology, Folklore, Fantasy, Love, Magical Realism and Storytelling, New places, Encounters, Animation, and the Natural world. Also, Art in the Social Sphere- Art and Activism. As well as taking Art out of a gallery and onto the streets, which is one of the reasons why the Bangalore Wallflower project happened. :)
The Bangalore Wallflower project is an attempt to make art more accessible. Not just in terms of its location. But also encouraging people who aren't necessarily artists curb their inhibitions and pick up their brushes and create community art. We work as much as possible with children in the community.
WatercolourWars/Artivism is an artists collective that was started similarly to bridge the gap between Activists in need of a Visual Identity and Artists who could provide them with that and more.

7. What is the most fascinating part of being an illustrator and most frustrating part?

The most fascinating part is that it becomes an extension of oneself. Every story I hear I see it play out in my mind's eye. The most frustrating part would be breaking through limitations of technique/skill to create something that evokes the image on has in one's mind.

8. What is your source of motivation? In your opinion - are the artists born or the skills can be acquired too?

My opinion is that everyone is an artist and it has nothing to do with skill. Just feel the freedom from inhibitions. I haven't had very much 'formal' training skill wise. And I don't think it would make a difference if I did.
I find more and more that people are afraid of drawing because they think themselves incapable of doing so. That's another reason why the Wallflower project was initiated so that children and adults could just paint in an extremely public space on a large surface without being afraid.
The source of inspiration and motivation for me is love for what I do. And all the absolute gorgeousness that surrounds me as I travel.

9. What advice would you give to aspiring illustrators?

To just love and stop worrying about what they see and how to draw what they see and draw what they feel. :) as cliche as it might sound. Anything essential is invisible to the eye. Only with the heart one sees clearly.

10. Would you consider taking up interior decor projects such as wall art and murals for children's rooms?

Yes! Doing so as we speak.

{Image courtesy : Shilo's blog}

This interview crossposted on Saffron Tree